ONOFFON

Your Mind

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The second CD from ONOFFON -

Eleven new songs from this diverse group

1. Your Mind 2. Shadowglass 3. Alley Want

4. Mardi Gras 5. Ocean's Cry 6. Bebe's Song

7. For Hell Sake's 8. Opus 9. You Know I Can't

10. Wet Legs 11. Credits


 

 


 

ONOFFON's "Your Mind" is nominated for the Best Jazz Album
of 1999 by JUST PLAIN FOLKS

Just Plain Folks review:

ONOFFON
Your Mind

"Jazz is about musical experimentation and risk taking, and ONOFFON carries on that tradition
with their hip beatnik jazz explorations. From track to track you never know what they are going
to do next, but each track is a delight. From the funky piano/harmonica groove that starts "Alley
Want" to the lounge Jazz feel of "Bebe's Song" I found delight in the surprise and the delivery.
"Mardi Gras" has a more straight ahead Jazz groove to it, perhaps just to prove they can do it all.
Original and playful, it is great to see bands like ONOFFON still inventing new music, all while
tipping their hat to what has come before."


 

You can buy this CD at CD Baby

BUY the CD!


The Duke at SpinMe.com:

ONOFFON
Your Mind

"Onoffon are a jazz trio hailing from LA. Given the depth of styles they pine on their second
disc, Your Mind, and the instrumentations that the 3 of them use, you'd be hard pressed to
remember that they're a trio. One moment, they're an intense jazz band. "Mardi Gras" fills the
air with guest Glen Garrett's soprano sax squeals while the band's rhythm section of
Von Babasin and Dave Goode keep it grooving in an intense fashion. The next moment, they're
a hippie fusion band playing tracks like "Alley Want" and the title track like they're primed to
have their audience do that hippie noodle dance. The next moment, they are crooning away on
"Bebe's Song" like they were stuck in a 30s time warp and then, mere moments after, they sound
downright new age on "Opus". I personally wish they would stick to the jazzier stuff and stay
away from the hippie rock. On the same token, the stylish diversity in which this band has to
offer the listener and expand the definitions of jazz is more important than whether or not
I like one style more than another."


 

ONOFFON has been named "One of the Top 13 Bands in the U.S."
in the August '99 issue of Independent Songwriter's Web-Magazine

(this selection was made on the merit of "Surrender Now" - our debut CD - only)

 


ONOFFON was chosen as Featured Artist of the Month for
the month of April, 1999 at WorldWideBands.com


ONOFFON was chosen as Spotlight Artist of the Month
for the month of April, 1999 at First Light
Swedish Progressive Rock site


La Galerie d'Onoffon




Per Stenberg of the Lunatic Fringe:

ONOFFON
Your Mind

"The album kicks off with the title track. Here, all the three bandmembers are nothing short of
brilliant in their tone, technical ability, ebullience and good sense of humor. I recall something
well worth considering that Thelonious Monk expressed somewhere way back in time. He said,
answering a visionary question; "Where's jazz going? I don't know where jazz is going. You
can't make anything go anywhere. It just happens". Basically this is what this track sounds like -
something that just happened. Well, it did indeed happen and the result was really awesome.
A James Brown lyric quote (from "Payback") can quite appropriately summarize the feeling I
have of this track; "I don't know karate, but I know caraazzzy!!!!"

The album has got off to a very good start with the great groove in the opener, then it wanders
onwards, keeping it's promise...

...although the second track, called "Shadowglass", has a completely different style. This one
is more like a beautiful never-ending dream with fluid alto flutes on the carpet of a smooth
accompaniment with a slight jazz feel to it. Very harmonic and delicate as well. Stylewise this
disc offers lots of twists and turns. Generally this might cause limitations to the overall feeling
but here it's all a good thing as it feels very closely connected and natural. Well, on to the next
track...

"Alley Want" consists of a rather bluesy groove with harmonica and all. I like the booklet
description of this song; "Here the artist captures a longing and gentle caress, edged in a mixture
of blues and freeform subtleties". So far the music has proved to be superb, the production is
fantastic, the sound of it is crystal clear and that is nothing less than highly enjoyable. As was
mentioned in the "background", ONOFFON's music has clear roots to the jazz, blues and
progressive area. Roughly speaking the first track belongs to the progressive, the second to the
jazz and the third to the blues. This is well varied music, and it's indeed very good.

On to the fourth track, "Mardi Gras". This is a very light and fluffy track which probably will
serve it's purpose well as a cure for depressions. It makes me smile anyway. It has a latin rhythm
to it, probably close to bossa nova. This track is slightly reminiscent to the Polish band Varius
Manx, at least when they lean towards jazz. Anyway, "Ocean´s Cry" is up next. It's a nice song,
actually nothing much compared to ONOFFON standards, but still good of course. It includes a
beautiful guitar solo and very solid, as always, playing from the rhythm section.

The sixth song, "Bebe's Song" is a quite eccentric one. It sounds closest to some jazz standard,
performed with less originality but definitively with a happy jazz mood. This is also a song
which most likely will make you smile, unless you do mind listening to pure vocal jazz that is.
"Bebe's Song" is good example of an extreme in the array of musical styles of this album. This
is a three-minute song which leads to the next, "For Hell Sake's". This is probably the most bluesy
one. I for one prefer the leaning towards jazz and progressive but this is still at a very high level.
It's a pretty simple song with a nice groove to it.

OK, what impressions do you get so far? This is top class music? In that case I truly believe that
I've been able to express myself correctly. Here the album takes a more melodic turn. The following
instrumental song called "Opus" is a really delicate piece of work. The blues and jazz tendencies
are gone and a more straight-forward rock sound has taken place. It remains even through "You
Know I Can't", the ninth track of the album. This is more like a ballad, a very beautiful ballad that
is. The vocals which is handled by Don Lake is very good and fits the song (and the music overall)
extremely well. It really inspires confidence. My girlfriend did really catch attention to this song,
saying; "This is good!". Need I say more? This really is good.

After a brilliant exihibition by these highly skilled musicians only two tracks remains. First up is
"Wet Legs", it's a song that plays a waiting game in a very nice laid back mood before bursting out
in a slight blues inspired refrain. Later all ends up in a great instrumental middle part, just to catch
up with the basic theme and make it to an end. This song makes me think of the underestimated
singer/songwriter Marc Cohn. The closer, "Credits" is a fun act. The credits from the booklet
is read out loud by the bandmembers (all at once), accompaniged by a jazz piece, very much like
background music, just to bring out.....the credits. Very original and very funny. As for everything
else on this disc I'll give them credit for that.

Conclusion - Your Mind is the breathtaking result of a band that is superbly integrated. The sound
is pure and very clean and the musicians are indeed very competent. Various musicial directions,
mainly jazz, blues and progressive is merged into a sound that is indisputably forged by
ONOFFON. As being a trio the rhythm section, consisting of Babasin on bass and Goode on
drums, is more than just a rhythm section. They both shine along with Lake on guitars. Well, I
could go on and on and on about this album, but I won't. Instead I'll finish this review off by
quoting Doctor Faustus; "When everything's working, art always appears artless".
Well, not this art. Not this time."


This is what earBuzz.com says:

ONOFFON - Surrender Now - earBuzz Rating: 7 out of 7
"It's rare that you find the potentially mainstream popular music within the home of convincingly accomplished musicians - but we do here if only someone would take action. . . With the record buying public 13-16 it's no wonder that we have bands like Spice Girls and Ricky Martin leading the charts, and also why substantially talented artists like OnOffOn move to the internet and the independent music arenas to gain their audience. We surrender, and all illusions of mainstream music go by the way-side as this gathering of music masters and off-the-wall creativity play with our ears. They don't follow their own advise when they sing to 'release perfection' - this is about as perfect as you'll find. Jazz/Funk/Folk/kitchen sink - Surrender Now is a gem."

ONOFFON - Your Mind - earBuzz Rating: 6.5 out of 7
"OnOffOn's release Your Mind captures the essence of what makes music art. Their chosen mp3, Bebe's Song, is nowhere near representative of what to expect from this collection of pure and tasteful work. Acid Jazz and fusion, mixed with growling vocals or loungy crooning with extended chordings throughout. There's hardly a music lover who wouldn't start a collection - delightful. An added bonus is the gorgeous 12 panel 4-color sleeve, half of which is dedicated to La Galerie d'Onoffon - an erotic collection of color shaded female form and faces while the balance provides lyrics and intelligent narrative."


Jason Spatola of Local Music Store Reviews (WV, U.S.A.):

ONOFFON
Your Mind

"ONOFFON, the progressive jazz-rock trio from California, has once again achieved perfection with their second release, Your Mind. This one is a bit jazzier as a whole, but there are plenty of musical styles here, from hard rock to swing, odd (yet very well done) experimentation to solid jazz instrumentals. The album opens with the title track, a powerful, primal groove with some of Dave Goode's finest drumming yet. There are also great backing vocals, funky bass and rhythm guitar, and wild flanging effects thrown in to keep things interesting. After the explosive ending of "Your Mind" comes the album's first of three instrumentals, a wonderful, mellow song called "Shadowglass". This one features some melodic flute playing by additional musician Glen Garrett, which gives way to a great guitar solo by Don Lake, the band's virtuoso guitarist, vocalist, and harmonica player, among other things. Von Babasin's bass, as well as some piano and synths, give the song a brilliant, distinctive sound. Next up is one of my all-time favorites from ONOFFON: the six and a half minute "Alley Want". Don's harmonica solo at the beginning is soulful, and the chorus is catchy, with great harmony in the background. Glen Garrett comes back on soprano sax on "Mardi Gras", the second instrumental, which sounds fresh and new with each listen. The ever-changing "Ocean's Cry", a track that I didn't like at first but grew on me, pushes Von's funkified, innovative bass playing in the spotlight, along with a great vocal by Don. "Bebe's Song" is a swingin' little tune with Von on lead vocal. Changing rhythm patterns and great production (the dynamics soar with an unexpected buildup in the middle of the second verse) are in store for the next track, "For Hell Sake's". This one has funny, real-life lyrics, presented in a jazzy kind of way. The third instrumental, "Opus" comes next, my favorite song on the album. With Don's acoustic and electric guitars in full swing, you can't help being immersed in the broad soundscape. Von and Dave provide a rhythmic backing for "You Know I Can't" a song with loud/soft/loud again dynamics and a sincere message. Next is "Wet Legs", a rocker with Don's jamming guitar, Von's powerful bass, Dave's extraordinary percussion, and edgy lyrics. The album ends with "Credits", a dizzying reading of the huge list of thank-yous of this self-produced venture that ends with the words "photography, ecstasy, beans" (you'll have to listen to understand it). Your Mind is one of the greatest albums of all time by any artist. I sincerely recommend it to anyone."


Magnus Florin of Through Different Eyes (Sweden):

ONOFFON
Your Mind

"The follow up to the first "Surrender Now" is "Your Mind", from OnOffOn. Well, it's still the same kind of jazz feel to this band, but with one additional thing. It's craazzzy!! The introducing title track are among the most vicious and weirdest tracks I've ever heard. It's as if you take five or why not twenty insane jazz rockers and put them in a hole. Starve them till a close death and then give them their instruments. What happens...? OnOffOn, "Your Mind". There are a bit more guest musicians involved in this album compared to the first album. A bit more elements too, of course. Flutes, are brought in, which is really cool. And more backing vocals, the female kind. Some instrumental tunes on this one too, which can be seen as a relaxing thing. A good break up from the psychedelic atmosphere otherwise generated. A cool album with cool tunes and music. Check it out!"


Kevin Kreiner of MP3critic.com (no longer on-line):

ONOFFON
Your Mind - 10

"The masters of eclectic are at it again. To follow up "Surrender Now," their debut album, ONOFFON have come up with another short hour of cosmic grooves. Beginning with lyrics like "I'm the string bender, and I'm the mind sender" and ending with a sung medley of the album's credits, "Your Mind" is just what it says on the cover. Think of the title track, which starts off with string special effects that summon up funk riffs in the back half of the song, as a signpost that reads "introspection of art rock meets the hip swinging sounds of jazz at the funk intersection straight ahead." Don't worry about packing, they've got it all here for you. As compared to their self titled debut album, this sophomore disc from the Los Angeles based trio of Don Lake, Von Babasin and Dave Goode is less varied, but musically even tighter than the original. There's still a lot of fun here, they've even thrown in some old fashioned swing in "Bebe's Song" for anyone who's been living in a cave for the last five years. Tracks like "Mardi Gras" keep you moving the way jazz ought to, with a single repeating motif woven through a musical narrative that sounds every bit as New Orleans as the title suggests. Of course, it wouldn't be an ONOFFON record without a few sudden changes, and the heavy guitar downbeats that open "Ocean's Cry" bring you from New Orleans to the rocky coasts of rock and then back to smooth sailing in one quick go. It's fun like playing football is, you get knocked on your ass and love every minute of it. Not to worry, guest Glen Garret will pick you up with his flute in the absolutely intriguing "Shadowglass." Look, they even turn the credits into a song, kind of like what They Might Be Giants did all the way back on Flood. I liked it then and I like it now. But the real reason to buy this record, as opposed to just taping it, is the liner notes. Each song's title is presented under a painting, the description of which will stand for the song as well. "Shadowglass," for instance, features a black and white distorted image of a woman, seen from the back, her head lost in shadows. The caption says, "A fluid seduction of signature, rhythm, and syncopation - a haunting vision in lyric melody and non-descript imagery." I couldn't have said it any better."


Donald Donofrio of Don's Music Views (CT, USA):

ONOFFON
Your Mind
(Self-released NFN 31922)
(This review also appears here)

"The California band ONOFFON is back with their second release "Your Mind". The band has become one of my favorites for several reasons. First, they're all great musicians and even their worst critic has to give them that. Second, they're one of the most adventurous risk-takers out there. As this disc shows, an ONOFFON release is a wondrous journey from the absurd to the absolutely exquisite. The band consists of Don Lake (guitar, vocals), Von Babasin (some mean bass, vocals), and Dave Goode (drums, vocals). Their sound is supplemented nicely once again by Glen Garrett, who brings his sax and flute to the mix, and some background vocals from Stacey Baltes and Carole Couture-Olivieri. It's hard to describe this band's sound because nothing is off-limits to them and they cover a lot of ground. The best description would probably be to call it progressive jazz but even that doesn't do it justice. They really have to be heard to be understood and you can't say that about very many bands today. Let's just say that they're not only interesting, ground-breaking, and original, but they're also visionaries. To put it another way, no one is doing what these guys are doing and what they're doing is thoroughly enjoyable. "Your Mind" contains 11 tracks. 3 of them are instrumentals and for my money the band's greatest strengths are their individual instrumental talents. "Opus" is just an incredible piece that begins with some soft acoustic guitar and just slowly develops into an envelope of guitar sounds from Don Lake. "Shadowglass" is another masterpiece that uses guest musician Glen Garrett's flute to incredible lengths while still managing to showcase the 3 full-time band members as well. "Ocean's Cry" is the band's funky sounding track and features some mean bass from Von Babasin. To close out the disc, the band uses the albums credits as the lyrics for the aptly titled "Credits". This has to be one of the most creative moments I've heard in a long time and the weirdest thing is that it works. Like I said earlier, ONOFFON really has to be heard to be understood. This disc is an early runner for the best of 1999 list--and take my word for it--no review is really going to do it justice."


Jerry Kranitz of Aural Innovations (formerly the Progressive Music Sites Page - OH, U.S.A.)

ONOFFON
Your Mind
(Self-Released, 1999 CD)

"Onoffon follows up last year's debut, "Surrender Now", with more of what is best, and most concisely, described as melodic jazz for progressive rockers. Nearly all their songs are rooted in standard fusion, but "rooted" is the key word here. There is more going on instrumentally and stylistically then simple definitions can convey. On "Your Mind", Onoffon is once again Don Lake on guitars, harmonica, keyboards, and vocals, Von Babasin on bass, and Dave Goode on drums and percussion. Onoffon is less a progressive band with fusion leanings than a song oriented fusion band with progressive rock leanings, though prog fans with a taste for fusion and bluesy jazz will find this band to be rhythmically exciting, toe tapping funky, and tastefully complex in their arrangements. My favorite tracks tend to be those with guitarist Lake's wonderfully soulful vocals and harmonica, and particularly those with guest flute and sax player Glen Garrett (wish list item: make Garrett a full time member). Among the highlights: The title track "Your Mind" opens with lots of plucking at piano strings and then launches into a Chile Peppers influenced funk rockin' bit reminiscent of moments from the band's debut CD. The duel female backing vocals add an avant rock feel to this freaky but melodic tune. "Shadowglass" is a laid back instrumental fusion piece featuring a gorgeously tasteful guitar solo from Lake. And Glen Garrett embellishes the music with his flute which works beautifully in conjunction with the guitar. Garrett's killer sax wails away on "Mardi Gras" in what may be one of the rhythmically strongest tracks on the disc. Dave Goode's Latin percussion work really gives the tune it's power. "Ocean's Cry" and "Wet Legs" are the tracks with the heaviest rockin' feel to them. Though very much a song, "Ocean's Cry" is a good example of Onoffon's adeptness at creating accessible, yet complex melodic excursions. Another of my favorites is "Opus", an ethereal instrumental track that features Lake ripping off a dazzling solo, and this is the track that should be used to suck in the prog rock crowd. A really nice combination of electric and acoustic guitar. In summary, Onoffon should appeal to fusion fans who appreciate creative melodies and soulful songs."



Read more reviews of this new release

ONOFFON Surrender Now

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© Copyright 1997-2007 ONOFFON Productions
First date online: Mar. 11, 1997